Kodak's long-running everyday color negative film, sold in 35mm and 120.
Kodak rates its latitude at two stops under and three over, which is why it survives being loaded into cameras that guess at exposure.
The palette is warm and moderately saturated, with yellows and reds pushed a little and skin tones kept close to neutral. Grain is fine for its speed.
It is the default rather than a choice. Nothing about it is distinctive, and that is why it works in almost any daylight.
Real-world takes from shooters who've used this film stock. Exposure tips, dev quirks, hidden strengths.
