Lomography's general-purpose color negative, sold in 35mm and 120.
The rendering is cool and punchy, with saturation pushed well past a Kodak consumer film and contrast to match. Grain is noticeable but even, and sharpness holds up, particularly in 120.
Lomography sells it as working in sun or cloud, and it has the latitude for that.
Reds and blues can overblow, and shadows can go red in medium format. Lomography does not say who coats the emulsion.
Real-world takes from shooters who've used this film stock. Exposure tips, dev quirks, hidden strengths.
